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RIP Frankie Beverly

(September 11, 2024) We are devastated to report the death of legendary singer and Maze leader Frankie Beverly, at age 77.

The official Maze Facebook page posted: “He lived his life with pure soul as one would say, and for us, no one did it better. “He lived for his music, family and friends. Love one another as he would want that for us all.”

Beverly led, by any measure, one of the most talented but criminally underappreciated self-contained bands of the past four decades. Their ability to fuse soul and jazz with an irresistible groove and intelligent lyrical content has gained for them an extremely loyal following among Soul music fans and great respect among their performing peers, but little attention in the pop music world.

Beverly was born and raised in the musical city of Philadelphia, and began singing as a child in church. As an early teen he hooked up with 50s soul group the Silhouettes (who sang the doo-wop number “Get a Job,” which influenced Smokey Robinson’s first hit composition, “Got a Job”). By the early 60s, Beverly founded a doo-wop group called the Butlers and worked with future legendary Philly record executive and producer Kenny Gamble. The Butlers had significant local success, but never broke out nationally.

While clearly talented, Beverly and his various bands were not the prototypical Philly soul acts, and in the early 70s he moved with his new group to San Francisco, where he met Marvin Gaye, who took a liking to the group and helped them land a contract with Capitol Records under the new name Maze Featuring Frankie Beverly.

The group’s Capitol debut was a Soul smash, yielding the hit “While I’m Alone” and hitting the Soul top 10. As with the act’s future albums, the subtle jazz stylings and smooth grooves were extremely appealing to Soul music fans, but had almost zero pop crossover. Over the next decade, Maze released a series of well crafted, well received albums that uniformly hit top 10 Soul and pulled onto the Top 100 pop charts based on sales among black audiences. The group also released a number of memorable singles, including “Joy and Pain,” “Southern Girl,” “Love Is The Key,” “Back In Stride” (a #1 Soul hit) and “Can’t Get Over You” (another #1).

After a string of gold and platinum albums, Maze left Capitol in 1989 and released the album Silky Soul on Warner Brothers, another fine disc highlighted by the wonderful Marvin Gaye tribute title cut. Soon afterward, the group performed a series of critically acclaimed performances in connection with Nelson Mandela’s first tour of the U.S. following his release from a South African prison.

Maze followed in 1993 with Back to Basics, another hit album that confounded critics who felt that the group’s best days were behind it. Inexplicably, it became the band’s final release of the decade, despite hitting the Soul top 5 and the Pop top 40. After that, Maze, then consisting of Beverly, keyboardist Carl Wheeler, bass guitarist Robin Duhe, and percussionists McKinley “Bug” Williams and Roame, was silent on record, while continuing to tour regularly. However, pushed by Frankie Beverly’s son Anthony, the silence was broken during 2009, as the group participated in an All-Star tribute to Maze, featuring an A-List of contemporary R&B artists. The disc, Silky Soul Music…An All Star Tribute to Maze featuring Frankie Beverly, was released to uniform critical praise.

Over the next 15 years, Maze continued to tour regularly, and Beverly received numerous awards. However, after years on the road, Beverly annnounced earlier this year that he would be retiring, and his farewell tour finished over the summer. Little did his fans know that this iconic artist would have such a short retirement. He brought us music and joy right to the end, and we will continue to celebrate Frankie Beverly’s life and music for years to come.

By Chris Rizik

(September 10, 2024) Calvin Richardson has a sound that is both classic and contemporary. That’s because soulful, honest singing never goes out of style. Richardson recalls legendary soul men like Bobby Womack through his emotive baritone and songs that address the high and lows of relationships from the perspective of a man who is honest about his virtues and shortcomings.

Richardson included a remake of Womack’s “I Wish He Didn’t Trust Me So Much” on his debut album. His rendition must have made an impression because the North Carolina native was selected to make a Womack tribute album that coincided with The Poet’s induction into the Rock and Roll Hall of Fame.

Richardson’s eight albums released over 25 years have yielded songs that run the musical gamut from Southern Soul to blues, soul, R&B and neo-soul. Richardson’s new song, “Ready For the Weekend,” from his upcoming project Five Years Later, finds him making music for the steppers’ set.

The song’s title is self-explanatory, as the tune finds Richardson providing musical play by play for a night on his plans to have a night on the town with his lady. “Ready For the Weekend” finds Richardson preparing for the weekend from the second he punches the clock on Friday afternoon. He sings about calling his lady, and anticipating her arrival, thinking of all the fun they’re going to have. Check out Calvin Richardson’s “Ready For the Weekend” here.